Design and Dictatorship: Exhibition Celebrates North Korean Graphics

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A visitor looks at stamp sheets on display at the 'Made in North Korea: Everyday Graphics from the DPRK' exhibition in London
A visitor looks at stamp sheets on display at the 'Made in North Korea: Everyday Graphics from the DPRK' exhibition in London, Britain, February 23, 2018. REUTERS/Hannah McKay
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LONDON (Reuters)

North Korea makes headlines with its military parades and nuclear program but a new London exhibition puts a spotlight on graphic design in the country

“Made in North Korea: Everyday Graphics from the DPRK” features highly-stylised government propaganda posters and comics, as well as more run-of-the-mill items such as food packaging, ticket stubs and stamps.

 

A visitor looks at can labels on display at the 'Made in North Korea: Everyday Graphics from the DPRK' exhibition in London
A visitor looks at can labels on display at the ‘Made in North Korea: Everyday Graphics from the DPRK’ exhibition in London, Britain February 23, 2018. REUTERS/Hannah McKay

 

The items on display at London’s House of Illustration gallery are drawn from the collection of Nicholas Bonner, who founded a Beijing-based tour company that specialized in travel to North Korea and has visited the country hundreds of times.

Bonner told Reuters the designs offer outsiders a window into a country few understand.

 

A visitor looks at items on display at the 'Made in North Korea: Everyday Graphics from the DPRK' exhibition in London
A visitor looks at items on display at the ‘Made in North Korea: Everyday Graphics from the DPRK’ exhibition in London, Britain February 23, 2018. REUTERS/Hannah McKay

 

“We don’t understand North Korea. It’s a very complicated country. We understand elements of it but we have a very black and white viewpoint, so I think this is one of these elements to start to understand it.”

The exhibits date from the 1970s to the early 2000s, a time when designers in North Korea, largely cut off from outside influence, blended Soviet-inspired iconography with their own national aesthetic.

 

 

Despite the array of imagery portraying North Korean workers as muscular, heroic figures, Bonner said it us unlikely that the exhibition’s propaganda component would win the regime any new supporters. The exhibition runs until May 13.

 

(Writing by Mark Hanrahan in London; Editing by Matthew Mpoke Bigg)

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